Organizers of the Paris Olympics apologized to anyone who may have been offended by a tableau inspired by Leonardo da Vinci’s “The Last Supper” during the opening ceremony, but stood by the concept behind it, as reported on Sunday.
The painting by Da Vinci portrays the moment when Jesus Christ predicts that one of his apostles will betray him. The segment in Friday’s ceremony featured DJ and producer Barbara Butch, a prominent LGBTQ+ figure, surrounded by drag performers and dancers.
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Various religious conservatives worldwide criticized the segment, with the French Catholic Church expressing disappointment in what they saw as disrespectful scenes that trivialized Christianity. Russian Foreign Ministry spokesperson Maria Zakharova also shared similar sentiments. The Anglican Communion in Egypt expressed regret, suggesting that the IOC risked diluting its sportive and humanitarian mission.
The artistic director of the ceremony, Thomas Jolly, clarified that the scene was not intended as a direct reenactment of the “Last Supper” but rather as a celebration of diversity and French cuisine. Anne Descamps, a spokesperson for Paris 2024, addressed the backlash during a press conference held by the International Olympic Committee.
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Descamps stated, “There was never any intention to disrespect any religious group. In fact, together with Thomas Jolly, we aimed to promote unity and acceptance within the community. Based on the feedback we received, we believe this goal was achieved. However, if anyone was offended, we sincerely apologize.”
Jolly later explained his intentions to The Associated Press, emphasizing that his aim was to convey a message of love, inclusion, and unity, rather than division or provocation.
