Three decades ago, the creative team of General Hospital – Wendy Riche, executive producer, and head writer Claire Labine – introduced the Nurses’ Ball to daytime television. Hosted by Lucy Coe, portrayed by Lynn Herring, the event united the residents of Port Charles as they displayed their impressive musical skills for a charitable cause.
While other daytime dramas had touched on the subject of AIDS/HIV before, General Hospital took a unique approach with the ongoing story of the Nurses’ Ball. A significant moment occurred a year after the first Nurses’ Ball in 1994, when Stone (Michael Sutton) succumbed to AIDS, and Robin (Kimberly McCullough) was diagnosed as HIV positive.
TV Insider spoke with Scott Barton, the show’s former publicist, who had previously collaborated with Elizabeth Taylor (as Helena Cassadine) in 1985 on the Commitment to Life fundraiser for AIDS Project Los Angeles (APLA), about the origin of the Nurses’ Ball, its impact, and enduring significance.
How did the concept of General Hospital hosting an in-show fundraiser to raise awareness for AIDS/HIV research come to fruition?
Scott Barton: The idea originated with Claire after actor Neil Tadken proposed the concept of the Day of Compassion, an event held annually [from 1993 to 1999] on June 21 to honor individuals battling AIDS or living with HIV. In a meeting, I suggested that Bobbie [Jacklyn Zeman], a nurse, could wear the [red] ribbon on-screen, and that a mention of it could be made. With Jackie’s approval, the idea gained traction. It sparked creativity in the costume department and infused the cast and crew with enthusiasm to contribute to the AIDS cause at a time when many felt powerless.
My discussions with Claire aimed to enhance the vibrancy of the Nurses’ Ball by inviting Ryan White’s mother, Jeanne, to appear as herself. This initiative demonstrated the show’s commitment to raising HIV/AIDS awareness. Everyone involved was fully onboard with the project.
The talent showcase within the show gave actors a platform to display their talents. Known singers like Wally Kurth (Ned) and performers like Stuart Damon (as Alan) were celebrated at the Nurses’ Ball.
We discovered musical talent within the cast. For example, Brad Maule (as Tony) had a successful stage musical career. The cast’s versatility surprised us, with even John Beradino (as Steve, a former baseball player) performing “Casey at the Bat.” Actors approached Claire with their talents, igniting a wave of creativity and participation in the event.
And can you talk about the late Lee Mathis and his role as Jon Hanley on the show?
Lee sought work in order to maintain his health insurance, which caught the attention of Gwen Hillier in the show’s casting department. Knowing Lee’s background, I recommended him for the role of Jon Hanley. The show created a part for him, providing much-needed support. His appearance revitalized his career, restored his insurance, and boosted his morale and sense of purpose.
I vividly recall the day Lee delivered his speech at the Nurses’ Ball. Initially nervous, I encouraged him to dedicate his performance to friends lost to AIDS. His poignant delivery resonated with the cast and crew, leading to further opportunities on the show. Lee’s character endeared him to viewers, and I was gratified when the show paid tribute to him after his passing, garnering national recognition for his career.
This storyline offered viewers a deeper glimpse into Lynn Herring’s portrayal of Lucy, revealing a caring side to her character previously unseen.
Lucy’s compassionate nature shone through at the Nurses’ Ball, as did Jackie Zeman’s innate elegance.
Were there any subtle details about the Nurses’ Ball that viewers might not be aware of?
Indeed. Bob Miller secured tuxedo shirts with hidden stopwatches bearing the message “Stop AIDS.” Additionally, Robin and Stone performed a scene from Romeo and Juliet at the first Nurses’ Ball.
The following year, Stone’s AIDS-related death and Robin’s HIV-positive diagnosis added a new layer of storytelling to the show. What was your perspective on Robin’s diagnosis?
I strongly advocated for Robin to test positive. Given the context of her relationship with Stone and their unprotected intimacy, it would have been unrealistic for her not to be HIV positive. I emphasized the importance of portraying her as a role model for living with HIV and addressing societal attitudes towards HIV-positive individuals. As someone affected by the AIDS crisis, I felt passionately about advancing this storyline in a groundbreaking manner.
When Executive Producer Frank Valentini and then-Head Writer Ron Carlivati revived the Nurses’ Ball in 2013 after a hiatus, what was your reaction?
I’ve had the pleasure of meeting Frank and admire his straightforward approach. Reviving the Nurses’ Ball was a wise decision that underscored the show’s commitment to continuity, character development, and fundraising for medical causes. The event serves as a testament to the show’s legacy and provides a platform for actors and characters to showcase new facets of their personalities.
Having previously collaborated with Elizabeth Taylor, was there a plan to bring her back for a Nurses’ Ball appearance as Helena Cassadine?
There were discussions about Elizabeth reprising her role as Helena, but scheduling conflicts ultimately derailed the plans. Elizabeth expressed interest in returning, and while the opportunity nearly materialized, unforeseen circumstances arose. Her fondness for the show and character was evident, and her potential return generated significant excitement.
What other authentic elements did you contribute to the Nurses’ Ball?
I coordinated with the NAMES Project AIDS Memorial Quilt to incorporate quilt panels as a backdrop for the Nurses’ Ball. The quilt added a poignant and somber atmosphere to the event, enhancing the cast’s connection to the AIDS cause. This gesture of solidarity and remembrance deepened the emotional impact of the event and underscored the show’s commitment to social issues.
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