Discover a unique exhibition at the British Library featuring a champagne bottle signed by Stormzy, Beethoven’s tuning fork, and a giant peacock Carnival costume. “Beyond the Bassline: 500 Years of Black British Music” is a groundbreaking showcase of the rich history of music from the UK’s African and Caribbean heritage communities.
This exhibition, running until August 24, offers immersive soundscapes and original commissioned artworks, creating a unique experience for visitors. Divided into five sections, it delves into the colonial past of black British music in “Ocean” and explores the impact of technology and rising popularity of black British artists in “Cyberspace.”
Featuring historical artefacts like George Bridgetower’s tuning fork and Hughbon Condor’s peacock costume, each section is accompanied by soundscapes, moving images, and artistic collaborations with community organizations from across the UK.
Lead curator Aleema Gray describes the exhibition as a journey through time and space, inviting young people, music fans, and individuals from the African and Caribbean heritage community to engage with this important cultural history.
With a focus on breaking down barriers and creating a welcoming environment, “Beyond the Bassline” aims to celebrate the legacy of black British music and community through various installations, including a captivating short film “Iwoyi.”
Gray emphasizes the importance of acknowledging regional narratives and the influence of faith and religion on black British music. The exhibition has received overwhelming acclaim from musicians and young people, highlighting the significance of sharing these stories within institutions like the British Library.
Looking towards the future, efforts to preserve the exhibition’s community legacy include a book and additional events involving collaborations with local artists, ensuring that the impact of “Beyond the Bassline” extends beyond its closing date.
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